Showing posts with label toshiko takaezu. Show all posts
Showing posts with label toshiko takaezu. Show all posts

Yunomi



















Yunomi è un bellissimo libro che documenta una collezione di più di 500 pezzi.

Una yunomi è una tazza, solitamente in ceramica, più alta che larga e con un piedino. La yunomi, diversamente dalla più formale tazza chawan usata nella cerimonia del te, è una per cosumo del tè quotidiano.

Ogni pezzo è differenta e porta in se lo spirito del suo creatore, sul sito potete trovare informazioni sui ceramisti che fanno parte della collezione, ecco alcuni nomi:
Shoji Hamada, Kanjiro Kawai, Bernard Leach, Lucie Rie, Hans Coper, Peter Voulkos, Toshiko Takaezu, Ken Ferguson, Warren MacKenzie, Randy Johnston, Ken Price, Akio Takamori, Laura Andreson, Gertrud and Otto Natzler, John Ward, Ian Godfrey, Shiro Otani, Kakurezaki Ryuichi, John Glick, Karen Karnes and Beatrice Wood
http://www.myteabowls.com/
http://www.yunomibook.com/

A beautiful book that documents a collection with over 500 pieces.
Introduction by Warren MacKenzie and Jeffrey Spahn.

A yunomi (Japanese: 湯のみ) is a form of teacup, typically made from a ceramic material, being taller than wide, with a trimmed or turned foot. Unlike the more formal chawan tea bowl which is used during the Japanese tea ceremony, the yunomi is made for daily (or informal) tea drinking.


"The connection between ceramics and tea-drinking has a rich, evolved culture. The qualities of handmade ceramic vessels have much in common with the virtues revered by the Japanese tea ceremony, or chanoyu, which developed into an art form after the ninth century when tea was introduced to Japan from China. Much like the ceramics it used, the simple act of tea drinking became symbolic in Japan of an appreciation of nature, simplicity and imperfection, and later a high art advocating harmony and balance.Tea bowls are never perfectly round, for they must fit the hands comfortably. A chawan is like a person. It has its own character and given time its own stories to tell, if one would listen. Most of its spirit comes directly from its maker, therefore looking at the creation one can get a sense of what kind of person the creator is, even without having met her or him."
The beautiful collection is made of very diverse pieces, each one trying to reflects each potter's style.
Artists include Shoji Hamada, Kanjiro Kawai, Bernard Leach, Lucie Rie, Hans Coper, Peter Voulkos, Toshiko Takaezu, Ken Ferguson, Warren MacKenzie, Randy Johnston, Ken Price, Akio Takamori, Laura Andreson, Gertrud and Otto Natzler, John Ward, Ian Godfrey, Shiro Otani, Kakurezaki Ryuichi, John Glick, Karen Karnes and Beatrice Wood. Includes works by all ceramic Living National Treasures of Japan.http://www.myteabowls.com/
http://www.yunomibook.com/
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Toshiko Takaezu


The Earth in Bloom

"Nella mia vita non ho mai fatto distinzione tra il creare vasi, cucinare e coltivare le verdure. Sono tutte azioni collegate. Comunque sento il bisogno di lavorare con la creta. E' così gratificante, mi procura così tanta gioia, e risponde a molte domande"

Toshiko Takaezu (1922-2011) era un'incredibile ceramista, è scomparsa da poco. "The Earth in Bloom" (la terra in fiore) ci racconta la sua vita e la sua arte. Toshiko era nata alle Hawaii da genitori giapponesi, dopo aver studiato negli Stati Uniti, si era recata in giappone dove la sua arte viene fortemente influenzata dallo studio del Buddismo. Tornata in America ha insegnato all'Università di Princeton per 25 anni avendo un grande impatto su generazioni di studenti.

An Interview with Toshiko Takaezu from D.B.Long on Vimeo.

http://www.toshikobook.com/
e su Amazon http://www.amazon.it/Toshiko-Takaezu

"In my life I see no difference between making pots, cooking, and growing vegetables. They are all so related. However there is a need for me to work in clay. It is so gratifying and I get so much joy from it, and it gives me many answers in my life."

Toshiko Takaezu (1922-2011) was an American ceramic artist.
She was born to Japanese immigrant parents in Pekeekeo, Hawaii in 1922. In 1955, Takaezu traveled to Japan, where she studied Buddhism and the techniques of traditional Japanese pottery, which continue to influence her work. She taught for ten years at the Cleveland Institute of Art, and then from 1967-1992 she taught at Princeton University, generating a significant impact on several generations of artists.
http://www.toshikobook.com/
on Amazon http://www.amazon.it/Toshiko-Takaezu

Shiro Momo (White Peach), porcelain by --Toshiko Takaezu--, 1992, --Hawaii State Art Museum--.


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